A nontriumphant Renaissance
The reformation that never happened in Italy
Excavations in Christian art
"These are your idols, which you have put in my temple"
Art historians and their precursors
Interior cult and exterior cult
Erasure, defacement, unmasking
Reform as art restoration
The "puppet painter" gets a hearing
Erasmus unmasks the saints
A picture of indeterminate subject and uncertain finish
Figures in a loose and unready state
Images from the underside
Drawing brought to the surface
Christian art that is no longer
Re-mediations of the altarpiece
The painter's new profession
Raphael extracts the icon
Sculpture and the pictorial imaginary
The idol in Saint Augustine's study
Statue + column = idolatry
In the round and from behind
Showdown in the arena of painting
Ficino's ambivalent defense of image magic
The crucifix as anti-statue
The antique statue of Christ
"Christ, who deserved a statue, received instead a cross"
A statue of Christ from the Holy Land
Replication and retroactivation
An antique Christ at the Minerva
Avatars of the golden calf in the works of Andrea Riccio
Gregorio Cortese commissions art at Santa Giustina, 1513
Fire takes the form of bronze
Forms of iconophobia in Italy
Replacement and reversion
Early interventions at Florence and Siena
Figuration and fulfillment, and vice versa
"All the other things are shadows"
The tabernacle in the matrix
"So long as it is not about saints"
Raimondi's I modi in Giberti's Rome
Pornography as iconoclasm
A new model of church art at Verona cathedral
The virgin becomes architecture
Borromeo interprets Giberti
The most abstract altarpiece of the Italian Renaissance
The Vicenza altar and reform circles in northern Italy