The Cambridge history of musical performance
(eBook)
Contributors
Published
Cambridge : Cambridge University Press, 2012.
Format
eBook
ISBN
9781139025966 (ebook)
Physical Desc
1 online resource (xxvi, 906 pages) : digital, PDF file(s).
Status
Staff View
Grouped Work ID
ccfcabca-caec-5b49-46d0-4e73c2b7cf61-eng
Grouping Information
| Grouped Work ID | ccfcabca-caec-5b49-46d0-4e73c2b7cf61-eng |
|---|---|
| Full title | cambridge history of musical performance |
| Author | colin lawson and robin stowell |
| Grouping Category | book |
| Last Update | 2024-01-05 11:37:28AM |
| Last Indexed | 2024-05-05 20:05:15PM |
Book Cover Information
| Image Source | default |
|---|---|
| First Loaded | May 4, 2024 |
| Last Used | May 7, 2024 |
Marc Record
| First Detected | May 30, 2023 02:58:00 PM |
|---|---|
| Last File Modification Time | Jan 05, 2024 11:38:16 AM |
MARC Record
| LEADER | 04557nam a22003498i 4500 | ||
|---|---|---|---|
| 001 | CR9781139025966 | ||
| 003 | UkCbUP | ||
| 005 | 20160620170052.0 | ||
| 006 | m|||||o||d|||||||| | ||
| 007 | cr|||||||||||| | ||
| 008 | 110218s2012||||enk o ||1 0|eng|d | ||
| 020 | |a 9781139025966 (ebook) | ||
| 020 | |z 9780521896115 (hardback) | ||
| 040 | |a UkCbUP|b eng|e rda|c UkCbUP | ||
| 050 | 0 | 0 | |a ML457|b .C35 2012 |
| 082 | 0 | 0 | |a 781.4/309|2 23 |
| 245 | 0 | 4 | |a The Cambridge history of musical performance /|c [edited by] Colin Lawson and Robin Stowell. |
| 264 | 1 | |a Cambridge :|b Cambridge University Press,|c 2012. | |
| 300 | |a 1 online resource (xxvi, 906 pages) :|b digital, PDF file(s). | ||
| 336 | |a text|b txt|2 rdacontent | ||
| 337 | |a computer|b c|2 rdamedia | ||
| 338 | |a online resource|b cr|2 rdacarrier | ||
| 490 | 1 | |a The Cambridge history of music | |
| 500 | |a Title from publisher's bibliographic system (viewed on 18 Nov 2015). | ||
| 505 | 0 | 0 | |t Performance today /|r Nicholas Kenyon --|t Political process, social structure, and musical performance in Europe since 1450 /|r William Weber --|t The evidence /|r Robin Stowell --|t The performer and the composer /|r Corey Jamason --|t The teaching of performance /|r Natasha Loges and Colin Lawson --|t Music and musical performance : histories in disjunction? /|r David Wright --|t The ancient world /|r Eleonora Rocconi --|t Performance before c. 1430 : an overview /|r John Haines --|t Vocal performance before c. 1430 /|r Jeremy Summerly --|t Instrumental performance before c. 1430 /|r Stefano Mengozzi --|t Case study : Guillaume de Machaut, ballade 34, Quant Theseus/Ne quier veoir /|r John Haines --|t Performance in the Renaissance : an overview /|r Jon Banks --|t Vocal performance in the Renaissance /|r Timothy J. McGee --|t Instrumental performance in the Renaissance /|r Keith Polk --|t Case study : Seville Cathedral's music in performance, 1549-1599 /|r Owen Rees --|t Performance in the seventeenth century : an overview /|r Tim Carter --|t Vocal performance in the seventeenth century /|r Richard Wistreich --|t Instrumental performance in the seventeenth century /|r David Ponsford --|t Case study : Monteverdi, Vespers (1610) /|r Jonathan P. Wainwright --|t Performance in the "long eighteenth century" : an overview /|r Simon McVeigh --|t Vocal performance in the "long eighteenth century" /|r John Potter --|t Instrumental performance in the "long eighteenth century" /|r Peter Walls --|t Case study : Mozart, Symphonies in E flat major K543, G minor K550, and C major K551 /|r Colin Lawson --|t Performance in the nineteenth century : an overview /|r Michael Musgrave --|t Vocal performance in the nineteenth century /|r Will Crutchfield --|t Instrumental performance in the nineteenth century /|r Ian Pace --|t Case study : Richard Wagner, Tristan und Isolde /|r Robin Stowell --|t Musical performance in the twentieth century and beyond : an overview /|r Stephen Cottrell --|t Vocal performance in the twentieth century and beyond /|r Jane Manning and Anthony Payne --|t Instrumental performance in the twentieth century and beyond /|r Roger Heaton --|t Case study : Karlheinz Stockhausen, Gruppen für drei Orchester /|r William Mival --|t The future? /|r Colin Lawson and Robin Stowell. |
| 520 | |a The intricacies and challenges of musical performance have recently attracted the attention of writers and scholars to a greater extent than ever before. Research into the performer's experience has begun to explore such areas as practice techniques, performance anxiety and memorisation, as well as many other professional issues. Historical performance practice has been the subject of lively debate way beyond academic circles, mirroring its high profile in the recording studio and the concert hall. Reflecting the strong ongoing interest in the role of performers and performance, this History brings together research from leading scholars and historians and, importantly, features contributions from accomplished performers, whose practical experiences give the volume a unique vitality. Moving the focus away from the composers and onto the musicians responsible for bringing the music to life, this History presents a fresh, integrated and innovative perspective on performance history and practice, from the earliest times to today. | ||
| 650 | 0 | |a Music|x Performance|x History. | |
| 700 | 1 | |a Lawson, Colin|q (Colin James),|e editor. | |
| 700 | 1 | |a Stowell, Robin,|e editor. | |
| 776 | 0 | 8 | |i Print version: |z 9780521896115 |
| 830 | 0 | |a Cambridge history of music. | |
| 856 | 4 | 0 | |u https://emil.mlc-wels.edu/login?url=https://doi.org/10.1017/CHOL9780521896115 |
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Language
English
Notes
General Note
Title from publisher's bibliographic system (viewed on 18 Nov 2015).
Description
The intricacies and challenges of musical performance have recently attracted the attention of writers and scholars to a greater extent than ever before. Research into the performer's experience has begun to explore such areas as practice techniques, performance anxiety and memorisation, as well as many other professional issues. Historical performance practice has been the subject of lively debate way beyond academic circles, mirroring its high profile in the recording studio and the concert hall. Reflecting the strong ongoing interest in the role of performers and performance, this History brings together research from leading scholars and historians and, importantly, features contributions from accomplished performers, whose practical experiences give the volume a unique vitality. Moving the focus away from the composers and onto the musicians responsible for bringing the music to life, this History presents a fresh, integrated and innovative perspective on performance history and practice, from the earliest times to today.
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Citations
APA Citation, 7th Edition (style guide)
Lawson, C., & Stowell, R. (2012). The Cambridge history of musical performance . Cambridge University Press.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)Lawson, Colin and Robin, Stowell. 2012. The Cambridge History of Musical Performance. Cambridge: Cambridge University Press.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)Lawson, Colin and Robin, Stowell. The Cambridge History of Musical Performance Cambridge: Cambridge University Press, 2012.
MLA Citation, 9th Edition (style guide)Lawson, Colin, and Robin Stowell. The Cambridge History of Musical Performance Cambridge University Press, 2012.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
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